Friday, 30 May 2025

Settings: The Fall of Troy (The Myth Makers)

To the surprise and apparent confusion of some audiences at the time, Mission to the Unknown is followed, not by a continuation of its Dalek plotline, but by an unrelated historical. It’s primarily a comedy and lacks the evident educational remit of the earliest historicals. Like much of season three, it’s entirely missing in its original form, and, unlike the previous two stories, there is no animated or live-action reconstruction. This probably leaves it as one of the more unfamiliar stories to most viewers, and it's generally regarded as an average story by those who know enough about it to have an opinion. The comedic nature and the fact that it isn’t even trying to be historically accurate may present problems in typical time-travelling RPG settings, but let’s see what we can do.


Where & When

The story is based around the end of the Trojan War, as depicted in Homer’s Iliad, rather than as it would have been in real history. Troy, also known as Ilium, did exist, lying just south of the western entrance to the Dardanelles Strait in what is now Turkey. Based on archaeological evidence, the most likely date for the War is around 1180 BC, although, judging from the few surviving stills, the look of the story borrowed more from the Ancient Greece of at least four centuries after that.

Friday, 16 May 2025

Settings: Kembel (Mission to the Unknown)

Mission to the Unknown is an unusual episode. It’s a single 25-minute tale, and thus the shortest regularly broadcast Doctor Who story. Moreover, it does not feature any of the regular cast, functioning instead as a prolonged ‘cold open’ for the next-but-one serial. For this reason, it’s often either skipped or dealt with briefly in written accounts of the Hartnell stories. For the purposes of this blog, however, The Daleks' Master Plan has plenty to cover as it is, leaving this post free to look at Kembel. 


Where & When

The story is explicitly set in the year 4000, on the planet Kembel. This is an unclaimed world not directly controlled or claimed by any external power. The date is notably later than that of any of the earlier Hartnell serials, and The Daleks' Master Plan refers to the fact that technology has advanced since the time of the latter half of The Chase. Later stories will place it as (probably) happening during the early years of the Second Great and Bountiful Human Empire, which reaches its height a little over a century later.

Friday, 2 May 2025

Settings: Galaxy 4

The opening serial of season three marks the beginning of a run of serials that are wholly or partly missing in their original form. In its case, however, it has been animated from the original soundtrack, so it is at least possible to watch it legally. It’s regularly rated as one of the weakest of the Hartnell stories, and this may be partly down to a relatively bland setting. On the other hand, the exotic aliens and cultures at least imply that it's striving for something beyond that, so there may be more to work with than initially appears.


Where & When

The story is set on an unnamed and uninhabited planet in the eponymous galaxy. Since there is no connection with humanity’s history, there is no way to date the story in any known calendar. If, as seems to be the case, it’s set before humans have reached the galaxy in question, it’s probably (judging from later stories) earlier than the mid-fourth millennium, but that’s all we can say, and all that we need to.

Friday, 18 April 2025

Settings: 1066 and All That (The Time Meddler)

The Chase was originally intended as the second season finale, and that’s apparent from watching it. This, however, means that The Time Meddler feels a little like a season opener, even though it takes the finale slot. It’s another episode where opinions tend to differ between older and younger fans, with the former holding it up as a particularly strong episode and the latter often finding it more middling. 

What can’t be denied, though, is that it’s a significant story in the ongoing development of the series. Most notably, perhaps, it’s the first of what fans refer to as ‘pseudo-historicals’ – stories set in the past that nonetheless have science fiction elements other than the presence of the time travellers themselves. Later, that will usually be the presence of monsters, but here, it’s arguably more low-key. It’s also much closer to the sort of story that time travel RPGs tend to focus on… and not just because it’s set at a particularly memorable moment in history.