Settings: Snowcap Base (The Tenth Planet)

The Tenth Planet is undeniably one of the most significant serials of the black-and-white period of Doctor Who. Most obviously, it is the last Hartnell story, and first regeneration story, thus marking the end of at least the current phase of these posts. But, in addition to that, it is also the first Cyberman story, introducing the series’ second most common enemy race, and is generally regarded as one of the best of the Hartnell serials. 

For our purposes here, however, the real point of significance is different again: this is the show’s first true base-under-siege story. That will become a standard trope of the series going forward, and it’s notable here because it’s a different style of story than the exploratory adventures that Hartnell is better known for and less of a fit for what I’ve been doing. That leaves the question of whether I will move on to Troughton open (there will certainly be a lengthy pause), but until that’s decided, let’s take a look at the setting of the final First Doctor story.

Where & When

The story is set in the “near future” of December 1986. It takes place at Snowcap Base, Antarctica, which is described as being at the South Pole. While this is generally interpreted as meaning the literal geographic pole, since ‘Antarctica’ is never mentioned by name, it may be only a euphemism for the continent in general.

Settings: 17th-Century Cornwall (The Smugglers)

The last of the Hartnell historicals, The Smugglers is a pirate adventure, something that has a long tradition in TTRPGs. The general consensus is that it’s a failure in this regard and one of the weaker Hartnell stories. It doesn’t help that it’s another completely missing story and, worse still, has no incidental music, which hits even harder when you don’t have the visuals. But in a game, we can ignore that and have… well, a story about pirates and hidden treasure. Which is generally a plus.

Where & When

The date is never specified, except that it falls in the 17th century. The costumes suggest the latter half of that century, and the mention of a king narrows it down further. Fan consensus tends to opt for the 1690s, but not universally, and we can pick any date from 1660 to 1700 without contradicting anything. The story is set in an unnamed village on the Cornish coast that is likely not intended to represent any specific real-world location.

Settings: The War Machines

The last serial of the third season is another one available to watch in its original form. Fan opinion tends to divide between ‘middling’ and ‘good’, which is a positive for the Hartnell era. It’s significant in being the first full-length story with a contemporary setting where the protagonists can interact with the people around them. Naturally, this makes for a different type of story than space opera sci-fi or most time-travel games. Moreover, it’s one where the focus is not on the setting, since that’s merely today’s world (or what was today’s world at the time of broadcast). Although this will become more common later, this is the only instance in the Hartnell era, so let’s see how that affects things.

Where & When

The date is specifically stated: the main story takes place between the 12th and 14th July 1966, with the brief final scene six days later, on the 20th. The action is almost entirely confined to the West End of central London, from Bloomsbury to Fitzrovia. 

Settings: The Savages

After a brief respite, we’re back to stories that are entirely missing again, with another piece of relatively high-concept science fiction. The opinion of those who have watched the fan restorations or listened to the soundtrack is generally not positive. This may be because of the time spent building up the setting, and how long it takes to get to the action, and, as always, it’s worth noting that there are dissenting voices that find it a worthy story. This may improve now that the soundtrack has been animated and, in any event, something that’s strong on setting is a perfect fit for what I’m doing here…

Where & When

The story is set on an unnamed human colony world in the “far future”. With no other reference points, it’s impossible to say just how far into the future this is, or, for that matter, whether the planet is in our own galaxy or another. A common interpretation among fans is that it is set after the destruction of Earth, perhaps thousands or millions of years after The End of the World, but that’s merely a guess.

Settings: The OK Corral (The Gunfighters)

There’s practically a rule in TV series that involve time travel that, sooner or later, at least one episode must be a Western. Based on the same historical event as Star Trek’s “Spectre of the Gun”, this is classic Doctor Who’s offering. While it has the benefit of surviving in its original form, it is regarded as middling to weak by most fans. 

That may partly be due to the English actors not making convincing Americans, and partly due to the comedic tone of the early episodes, but perhaps mainly because it is narrated using a repetitive song. Fortunately, few RPGs insist that the GM sing out descriptions of events, so we can at least escape that element.

Where & When

Because the gunfight is a famous historical event, this is another serial that we can date precisely: it takes place on the 25th and 26th of October 1881. Most of the story is set in the town of Tombstone in what was then the Arizona Territory of the United States.

Settings: The Celestial Toyroom

This next story is, arguably, the most divisive in the show’s history. According to review aggregator websites, fans are pretty much evenly split as to whether it’s a masterpiece, complete rubbish, or somewhere in between. Given the simple nature of the plot, it’s unlikely that the fact that it’s largely missing makes much difference here, especially now that an animated version exists. Whether or not it would succeed as an RPG scenario is, perhaps, something that equally relies on the tastes of the players.

What’s more significant for these posts, however, is that, like The Edge of Destruction, it doesn’t fit with the usual format. So, as with that story, this is going to be a placeholder post rather than something more detailed. Largely because there isn’t much detail to go into.

Settings: The Ark and Refusis

It’s not until we reach this, the sixth story, that we find a third-season serial that fully survives in its original form. While the story is relatively high-concept and uses an unusual plot device for the show, it’s widely regarded as a middling example of its kind, rather than anything particularly memorable (for good or ill). The biggest problem is that the underlying message of the story can be interpreted negatively if one takes the Human/Monoid relationship as a metaphor for apartheid-era South Africa or for the southern US at the time of broadcast. But so long as we don’t play it that way, this doesn’t have to be insurmountable.

Where & When

The first part of the story is set ten million years in the future, on a vast spaceship travelling between the stars. The second half takes place on the planet Refusis II, seven centuries after the first. This is apparently a very long way from Earth, perhaps not even in our galaxy, although we don’t have any specifics.

Settings: The St Bartholomew's Day Massacre

Following The Daleks' Master Plan, we’re back with another historical, and this time it’s perhaps the most obscure period of history the show has picked for such a story – at least for those of us who aren’t French. It’s another one that tends to divide opinion, with older fans regarding it as above-average for the era, and newer ones generally disdaining it. A lot of that may have to do with the fact that it’s entirely missing, with just a few publicity photos surviving and not even the on-set shots and stills that we normally have. Leaving that aside, let’s see what we can do with a story that not only leaves out the sci-fi elements but is set during a period most players probably have very little knowledge of.

Where & When

For the first time, we return to a previous setting for a full-length story: Paris. As with The Reign of Terror, it’s built around a real-world historical event, so we can state the date precisely: it takes place between the 20th and 24th of August 1572.

Settings: Giza (The Daleks' Master Plan, Pt 2)

The second half of The Dalek’s Master Plan covers even more settings than the first, including, as it does, a whistle-stop journey through time and space in the style of the mid-section of The Chase. However, most of these settings are visited only briefly, so we don’t have scope to say much that’s definitive about them. While the focus of this post will therefore be the section of the story set in Ancient Egypt, I will also take a quick look at the other places we see.

Where & When

Before returning to Kembel for the conclusion of the story, the protagonists make short stops at various locations on 20th-century Earth before arriving on the planet Tigus. This is uninhabited, leaving the date both irrelevant and impossible to determine. The main setting of this half of the story, however, is Ancient Egypt. This section is set in the Giza pyramid complex at an unspecified date in the early 26th century BC. 

Settings: Desperus (The Daleks' Master Plan, Pt 1)

The Daleks’ Master Plan is the longest Doctor Who serial that everyone can agree is a Doctor Who serial. Unfortunately, nine of its twelve episodes are missing, and the whole thing is too large to have been animated yet, so it remains less familiar than many of its counterparts. It’s epic in scope, and those who have experienced it in some unofficial reconstructed form generally rate it as one of the best Hartnell stories. On the other hand, because that epic nature leads to it visiting so many different worlds and time periods, it, like The Chase, is going to have to be split into two for the purposes of this blog. This post covers episodes one to six.

Where & When

The story starts on the planet Kembel, shortly after the events of Mission to the Unknown. The protagonists escape, not in the TARDIS, but a spaceship, and spend a short time on the nearby world of Desperus before heading off towards Earth, and then arriving on Mira, a more distant planet. The date is revealed to be the year 4000, which, as I noted in an earlier post, is probably during, or slightly before, the early years of the Second Great and Bountiful Human Empire (the one that enslaved the Ood).

Settings: The Fall of Troy (The Myth Makers)

To the surprise and apparent confusion of some audiences at the time, Mission to the Unknown is followed, not by a continuation of its Dalek plotline, but by an unrelated historical. It’s primarily a comedy and lacks the evident educational remit of the earliest historicals. Like much of season three, it’s entirely missing in its original form, and, unlike the previous two stories, there is no animated or live-action reconstruction. This probably leaves it as one of the more unfamiliar stories to most viewers, and it's generally regarded as an average story by those who know enough about it to have an opinion. The comedic nature and the fact that it isn’t even trying to be historically accurate may present problems in typical time-travelling RPG settings, but let’s see what we can do.

Where & When

The story is based around the end of the Trojan War, as depicted in Homer’s Iliad, rather than as it would have been in real history. Troy, also known as Ilium, did exist, lying just south of the western entrance to the Dardanelles Strait in what is now Turkey. Based on archaeological evidence, the most likely date for the War is around 1180 BC, although, judging from the few surviving stills, the look of the story borrowed more from the Ancient Greece of at least four centuries after that.

Settings: Kembel (Mission to the Unknown)

Mission to the Unknown is an unusual episode. It’s a single 25-minute tale, and thus the shortest regularly broadcast Doctor Who story. Moreover, it does not feature any of the regular cast, functioning instead as a prolonged ‘cold open’ for the next-but-one serial. For this reason, it’s often either skipped or dealt with briefly in written accounts of the Hartnell stories. For the purposes of this blog, however, The Daleks' Master Plan has plenty to cover as it is, leaving this post free to look at Kembel. 

Where & When

The story is explicitly set in the year 4000, on the planet Kembel. This is an unclaimed world not directly controlled or claimed by any external power. The date is notably later than that of any of the earlier Hartnell serials, and The Daleks' Master Plan refers to the fact that technology has advanced since the time of the latter half of The Chase. Later stories will place it as (probably) happening during the early years of the Second Great and Bountiful Human Empire, which reaches its height a little over a century later.

Settings: Galaxy 4

The opening serial of season three marks the beginning of a run of serials that are wholly or partly missing in their original form. In its case, however, it has been animated from the original soundtrack, so it is at least possible to watch it legally. It’s regularly rated as one of the weakest of the Hartnell stories, and this may be partly down to a relatively bland setting. On the other hand, the exotic aliens and cultures at least imply that it's striving for something beyond that, so there may be more to work with than initially appears.

Where & When

The story is set on an unnamed and uninhabited planet in the eponymous galaxy. Since there is no connection with humanity’s history, there is no way to date the story in any known calendar. If, as seems to be the case, it’s set before humans have reached the galaxy in question, it’s probably (judging from later stories) earlier than the mid-fourth millennium, but that’s all we can say, and all that we need to.

Settings: 1066 and All That (The Time Meddler)

The Chase was originally intended as the second season finale, and that’s apparent from watching it. This, however, means that The Time Meddler feels a little like a season opener, even though it takes the finale slot. It’s another episode where opinions tend to differ between older and younger fans, with the former holding it up as a particularly strong episode and the latter often finding it more middling. 

What can’t be denied, though, is that it’s a significant story in the ongoing development of the series. Most notably, perhaps, it’s the first of what fans refer to as ‘pseudo-historicals’ – stories set in the past that nonetheless have science fiction elements other than the presence of the time travellers themselves. Later, that will usually be the presence of monsters, but here, it’s arguably more low-key. It’s also much closer to the sort of story that time travel RPGs tend to focus on… and not just because it’s set at a particularly memorable moment in history.