Settings: The Ark and Refusis

It’s not until we reach this, the sixth story, that we find a third-season serial that fully survives in its original form. While the story is relatively high-concept and uses an unusual plot device for the show, it’s widely regarded as a middling example of its kind, rather than anything particularly memorable (for good or ill). The biggest problem is that the underlying message of the story can be interpreted negatively if one takes the Human/Monoid relationship as a metaphor for apartheid-era South Africa or for the southern US at the time of broadcast. But so long as we don’t play it that way, this doesn’t have to be insurmountable.

Where & When

The first part of the story is set ten million years in the future, on a vast spaceship travelling between the stars. The second half takes place on the planet Refusis II, seven centuries after the first. This is apparently a very long way from Earth, perhaps not even in our galaxy, although we don’t have any specifics.

Settings: The St Bartholomew's Day Massacre

Following The Daleks' Master Plan, we’re back with another historical, and this time it’s perhaps the most obscure period of history the show has picked for such a story – at least for those of us who aren’t French. It’s another one that tends to divide opinion, with older fans regarding it as above-average for the era, and newer ones generally disdaining it. A lot of that may have to do with the fact that it’s entirely missing, with just a few publicity photos surviving and not even the on-set shots and stills that we normally have. Leaving that aside, let’s see what we can do with a story that not only leaves out the sci-fi elements but is set during a period most players probably have very little knowledge of.

Where & When

For the first time, we return to a previous setting for a full-length story: Paris. As with The Reign of Terror, it’s built around a real-world historical event, so we can state the date precisely: it takes place between the 20th and 24th of August 1572.

Settings: Giza (The Daleks' Master Plan, Pt 2)

The second half of The Dalek’s Master Plan covers even more settings than the first, including, as it does, a whistle-stop journey through time and space in the style of the mid-section of The Chase. However, most of these settings are visited only briefly, so we don’t have scope to say much that’s definitive about them. While the focus of this post will therefore be the section of the story set in Ancient Egypt, I will also take a quick look at the other places we see.

Where & When

Before returning to Kembel for the conclusion of the story, the protagonists make short stops at various locations on 20th-century Earth before arriving on the planet Tigus. This is uninhabited, leaving the date both irrelevant and impossible to determine. The main setting of this half of the story, however, is Ancient Egypt. This section is set in the Giza pyramid complex at an unspecified date in the early 26th century BC. 

Settings: Desperus (The Daleks' Master Plan, Pt 1)

The Daleks’ Master Plan is the longest Doctor Who serial that everyone can agree is a Doctor Who serial. Unfortunately, nine of its twelve episodes are missing, and the whole thing is too large to have been animated yet, so it remains less familiar than many of its counterparts. It’s epic in scope, and those who have experienced it in some unofficial reconstructed form generally rate it as one of the best Hartnell stories. On the other hand, because that epic nature leads to it visiting so many different worlds and time periods, it, like The Chase, is going to have to be split into two for the purposes of this blog. This post covers episodes one to six.

Where & When

The story starts on the planet Kembel, shortly after the events of Mission to the Unknown. The protagonists escape, not in the TARDIS, but a spaceship, and spend a short time on the nearby world of Desperus before heading off towards Earth, and then arriving on Mira, a more distant planet. The date is revealed to be the year 4000, which, as I noted in an earlier post, is probably during, or slightly before, the early years of the Second Great and Bountiful Human Empire (the one that enslaved the Ood).

Settings: The Fall of Troy (The Myth Makers)

To the surprise and apparent confusion of some audiences at the time, Mission to the Unknown is followed, not by a continuation of its Dalek plotline, but by an unrelated historical. It’s primarily a comedy and lacks the evident educational remit of the earliest historicals. Like much of season three, it’s entirely missing in its original form, and, unlike the previous two stories, there is no animated or live-action reconstruction. This probably leaves it as one of the more unfamiliar stories to most viewers, and it's generally regarded as an average story by those who know enough about it to have an opinion. The comedic nature and the fact that it isn’t even trying to be historically accurate may present problems in typical time-travelling RPG settings, but let’s see what we can do.

Where & When

The story is based around the end of the Trojan War, as depicted in Homer’s Iliad, rather than as it would have been in real history. Troy, also known as Ilium, did exist, lying just south of the western entrance to the Dardanelles Strait in what is now Turkey. Based on archaeological evidence, the most likely date for the War is around 1180 BC, although, judging from the few surviving stills, the look of the story borrowed more from the Ancient Greece of at least four centuries after that.

Settings: Kembel (Mission to the Unknown)

Mission to the Unknown is an unusual episode. It’s a single 25-minute tale, and thus the shortest regularly broadcast Doctor Who story. Moreover, it does not feature any of the regular cast, functioning instead as a prolonged ‘cold open’ for the next-but-one serial. For this reason, it’s often either skipped or dealt with briefly in written accounts of the Hartnell stories. For the purposes of this blog, however, The Daleks' Master Plan has plenty to cover as it is, leaving this post free to look at Kembel. 

Where & When

The story is explicitly set in the year 4000, on the planet Kembel. This is an unclaimed world not directly controlled or claimed by any external power. The date is notably later than that of any of the earlier Hartnell serials, and The Daleks' Master Plan refers to the fact that technology has advanced since the time of the latter half of The Chase. Later stories will place it as (probably) happening during the early years of the Second Great and Bountiful Human Empire, which reaches its height a little over a century later.

Settings: Galaxy 4

The opening serial of season three marks the beginning of a run of serials that are wholly or partly missing in their original form. In its case, however, it has been animated from the original soundtrack, so it is at least possible to watch it legally. It’s regularly rated as one of the weakest of the Hartnell stories, and this may be partly down to a relatively bland setting. On the other hand, the exotic aliens and cultures at least imply that it's striving for something beyond that, so there may be more to work with than initially appears.

Where & When

The story is set on an unnamed and uninhabited planet in the eponymous galaxy. Since there is no connection with humanity’s history, there is no way to date the story in any known calendar. If, as seems to be the case, it’s set before humans have reached the galaxy in question, it’s probably (judging from later stories) earlier than the mid-fourth millennium, but that’s all we can say, and all that we need to.

Settings: 1066 and All That (The Time Meddler)

The Chase was originally intended as the second season finale, and that’s apparent from watching it. This, however, means that The Time Meddler feels a little like a season opener, even though it takes the finale slot. It’s another episode where opinions tend to differ between older and younger fans, with the former holding it up as a particularly strong episode and the latter often finding it more middling. 

What can’t be denied, though, is that it’s a significant story in the ongoing development of the series. Most notably, perhaps, it’s the first of what fans refer to as ‘pseudo-historicals’ – stories set in the past that nonetheless have science fiction elements other than the presence of the time travellers themselves. Later, that will usually be the presence of monsters, but here, it’s arguably more low-key. It’s also much closer to the sort of story that time travel RPGs tend to focus on… and not just because it’s set at a particularly memorable moment in history.

Settings: Mechanus (The Chase)

The Chase is structured in three two-episode segments. First, there is the section on Aridius, then a couple of largely comedic episodes based on the chase itself, and then a final show-down with the Daleks. Thus, while this post will largely focus on that finale, it will also cover the “spooky” comedy of episode four.

When I started this series, I stated that updates would be very irregular. It hasn’t turned out that way, but the time has now come when my schedule requires me to take a break and concluding with a serial that feels like a season finale (even if it isn’t one) is as good a place as any. I have every intention of returning in the new year and moving on to season three, but the dates are uncertain. 

Where & When

The closing segment of the story is set on the planet Mechanus, close to, or just beyond, the edge of human-inhabited space. There is no indication of the date in the story, and the tie-in media have come up with various interpretations ranging from the 22nd to the 36th century. The more popular assumption, however, seems to be that it’s in the mid-third millennium, somewhere between the settings of The Dalek Invasion of Earth and The Rescue. This is the sort of question that would have to be answered in a game (since we do interact with people from Earth) but here, I’ll just note that various options exist.

Settings: Aridius (The Chase)

Although, at six parts, The Chase is not exceptionally long for its era, it does visit more than the usual number of settings. The third of the Dalek stories, it’s generally not as well regarded as the other two, scoring middling to low with many older fans. But, as so often, there is disagreement here, with many finding it one of the more entertaining Hartnell stories, not least because of its scope – plus, it has to be said, a particularly good final sequence after the Dalek defeat. Either way, the fact that it visits two distinct alien worlds and multiple points in Earth’s history gives plenty to build on. 

As with An Unearthly Child, the differing settings means that my coverage of this story will be split into two posts. This one covers the first three episodes, focussing on the alien world where it all starts off.

Settings: The Space Museum on Xeros

With the next story, we are off to an alien planet again, albeit one inhabited by a race virtually indistinguishable from humans – if, indeed, they’re supposed to be distinct at all. The opening episode, which plays with the concept of time, is reasonably popular, but what follows drags the whole down for most fans. But, as usual, that isn’t a universal opinion. Unlike, say, The Sensorites, very few people seem to really like this, but a significant minority regard it as middling rather than weak. The problem, as so often in this era, is usually cited as being the slow pacing, with some claiming that Vicki only starts the revolution because she’s bored by the plot up to that point. The setting is also, perhaps, less memorable than the likes of Marinus or Vortis… but let’s see what we can do with it.

Where & When

The story is set on the planet Xeros, within the interstellar Morok Empire. No date is given for the story, but it clearly takes place later than The Dalek Invasion of Earth because of the design of the Dalek seen in the museum. Although it’s not obvious that the Moroks are also specifically aware of humans, we can at least say that the story is not set so far ahead that the exhibit has obviously degraded. This probably places it a few centuries into our future and, fitting with this, the tie-in media have tended to select dates towards the end of the third millennium. 

Settings: The Third Crusade

Next, we reach another pure historical episode, and it’s one in the style of the first-season historicals rather than the more light-hearted tone of The Romans. It’s the only story of its season not to wholly survive in its original form, with only the first and third episodes available. Nonetheless, and despite lacking science fiction elements, it’s comparatively well-known for a ‘missing’ story, probably because it’s quite early in the run and it’s at least possible to watch half of it. It’s generally regarded as unremarkable, neither particularly good nor particularly bad. To modern eyes, the use of brownface for most of the Middle Eastern characters is a drawback, but it’s not one that applies if we use it as a game setting.

Where & When

The story is set in 1191 in and around the port city of Jaffa. It is based, albeit loosely, around a real historical event that occurred in autumn of that year. Since the details are changed, and the timeline greatly compressed, it’s difficult to narrow down an exact date, but we’re likely in either October or November. Shorter than the previous historicals, the story takes place over the course of just two days.

Settings: Vortis, the Web Planet

The second-season serial The Web Planet is famous – or perhaps, infamous – for featuring no humanoid characters at all beyond the regular cast. The result, especially given the budget and the special effects technology of the day is, to put it mildly, really quite strange. An overly long, slow, plot doesn’t help matters and while some fans praise it for its sheer audacity, most are negative, and it’s not unusual to see it listed as the weakest of all the Hartnell stories. Yet it is at least memorable and, if we can fix the pacing, a low special effects budget isn’t a problem in a tabletop game.

Where & When

The story is set on the planet Vortis, which is specifically stated to be in a galaxy beyond our own. In the final episode, the Animus talks about humans as if it knows what they are, and where they come from, which implies a far future setting when humanity has at least reached beyond our own galaxy. However, there is no way to be more precise than this, and it’s also possible from the context that it has only recently gained this information from its prisoners (it’s trying to read their minds at the time) so we can’t even be confident of that much. Not that it’s likely to matter in most games.

Settings: First Century Rome

We are overdue for a historical by this point, so it’s no surprise that the fourth story of the second season fits that description. Unlike the previous historicals, however, this one is a comedy and fan reactions tend to depend on whether or not they find that it works as such. In game terms, however, there is enough present that it’s possible to play it mostly straight and try to let the humour follow naturally, rather than forcing it.

Where & When

As with The Reign of Terror, the story includes a real-world historical event, making it possible to date it precisely. The bulk of the story runs from 10th to the 18th July in the year AD 64, although the characters have been in Italy for “four or five weeks” when it starts, and there is a gap of a few days at the end before they leave. Most of the action takes place in Rome, although there are some scenes set in other nearby parts of Italy.

Settings: Dido (The Rescue)

The Rescue is a brief story that functions primarily as the introduction to a new companion and arguably doesn’t do much more when taken in isolation. As a result, it’s generally regarded as a middling episode, neither especially weak nor particularly praised, although some reviewers don’t appreciate the minimal nature of the plot – or, perhaps, the basic joke about classic Doctor Who aliens all looking like men in cheap rubber costumes. On the other hand, it was originally proposed as a story in its own right, and, even if it’s slight, it can still work as a scenario outside of the ‘introduction’ theme.

Where & When

The story is set in the year 2493… or at least, that’s when Vicki says she left Earth, and it’s hard to imagine that more than a few months have passed since. It takes place on the planet Dido, a world that is within the bounds of human space at the time, but that the authorities on Earth have never bothered to explore. 

Settings: Dalek Invasion of Earth

The Dalek Invasion of Earth has a significant place in the ongoing development of the series. It’s the first returning “monster”, the first companion departure, and the first story to feature more than a few moments of outdoor filming. The latter gives it a less claustrophobic feel than many prior serials and gives a potentially large canvas on which to draw for gaming, aided by the fact that it’s also the first story to be set on Earth in the future. It’s almost universally cited as one of the better stories of the Hartnell era, sometimes even the best overall. And, in this instance, the setting also happens to be one that lends itself well to gaming.

Where & When

The exact date is never given in the story, but we do see an old 2164 calendar, so it’s no earlier than that. While there is some wiggle room depending on exactly how old the calendar is, based on a line in a later story, fan consensus generally takes the year as being 2167. The story is initially set in London and later moves to Bedfordshire.

Settings: Planet of Giants

The second season kicks off with a story that takes a different turn than the usual for the show; a science-fiction concept to be sure, but not one that’s standard for Doctor Who. It’s not an especially well-regarded story, in large part due to the murder subplot, but it’s not hated either, tending to score middling or slightly below in most fans’ estimations. Still, it is an undeniably different setting and one that has worked in other shows or films, so the potential is there.

Where & When

The story takes place entirely inside one mid-sized house and its accompanying garden. It’s set in England during the 1960s, but it’s hard to be more precise about the location than that. The date is intended to be “contemporary” but that doesn’t necessarily mean 1964 and fans have suggested possibilities ranging from ’63 (the year for which the Doctor was aiming) to the “near future” of ’69. From our 21st-century perspective, it hardly matters.

Settings: The Reign of Terror

With the stories still alternating in theme, we turn to another pure historical for what became (but was not originally planned to be) the first season finale. While two of the original episodes no longer survive in their original form, animations have been made from the soundtracks and are now widely available, so it’s likely that these are the oldest “missing” episodes that have been widely viewed in some form. Fan opinion is largely consistent in rating the serial as middling to weak despite it being set in a dramatic and significant period in history so it’s worth seeing if other options present themselves.

Where & When

The story takes place in, and just outside, Paris during the eponymous Reign of Terror. For the first time in a historical story, we can place the date exactly because it includes a known event from real-world history. Specifically, it takes place over a six-day period concluding on 28th July 1794.

Settings: The Sense-Sphere

Continuing with the alternating themes of the first season, we are back to an alien planet with The Sensorites, in the first story to show some of Earth’s future. It is one of the less popular stories of the Hartnell era, with many fans feeling that it’s just too long at six episodes or taking issue with some of the themes of the titular aliens. Having said that, this is not a serial that nobody likes, with a significant minority enjoying the relatively subtle ‘60s sci-fi. In either event, these are not the sort of issues that would get in the way of a scenario based on the story.

Where & When

The story takes place on, and in orbit around, a planet somewhat strangely named the Sense-Sphere. This is at least in the same galaxy as Earth, but beyond the area of space governed/inhabited by humans at whatever the date may be. Maitland states that that is the 28th century but doesn’t give any more precise figure. If one has to pick a specific year, 2764, eight centuries after the broadcast date, is as good as any. Since it is the first story to be explicitly set in the future, rather than on an alien planet with no apparent connection to Earth, the date had, at the time, no larger context of future history to be placed in – it might as well be plucked from thin air.

Settings: The Aztecs

The first season of Doctor Who alternated between science fiction stories on alien worlds and ‘pure’ historicals in Earth’s past, with the exception of the one story written at the last minute to fill a gap. This may not have been wholly intentional, but it is the pattern we have and means that serial number six is once again historical. Moreover, it maintains the exotic feel of its predecessor, Marco Polo, by not being set in the European history that we in the West tend to study most in school. It’s a very popular story with old-time fans, often stated to be the best of all the Hartnell serials, but tends to score as only decent-to-middling with younger fans, perhaps because of the over-the-top nature of the villain and the use of white actors as non-white characters. Neither of which are a problem in a game based on the story.

Where & When

The story takes place in Mexico, during the time of the Aztec Empire. While the exact date is impossible to pin down the Empire only lasted a hundred years, which narrows down the possibilities. Since the tomb in the story is dated to the 1430s and its architect’s son is still alive, the mid-15th century seems the most likely timeframe.