Settings: Det-Sen (The Abominable Snowmen)

With The Abominable Snowmen, we have the first self-contained historical to feature a science fiction ‘monster’, rather than a rival time traveller. The historical elements are, however, relatively minor, due in part to the remote location, which means that the story could almost be contemporary. Traditionally regarded as a middling serial, younger fans have been more critical, although this may be less true now that an animation is available for the missing episodes. Either way, it is, perhaps, better remembered for introducing a threat that recurs in a more popular story later in the season than it is in its own right. Nonetheless, the setting is exotic and, for a historical, surprisingly adaptable to some SF settings, so let’s take a look.

Where & When

The story is set in the Himalayan Mountains of southern Tibet. No specific date is given in the serial, but The Web of Fear later states that it took place in 1935. The animation has plenty of snow on the ground, which may suggest either winter or spring, depending on the altitude.

Settings: The Evil of the Daleks

The season finale of season four is arguably the first such serial to actually feel like a season finale. It’s one of the more popular Second Doctor stories, despite all but one episode being missing – albeit they are now animated. From the perspective of these posts, however, it’s very much not an exploratory story, and there’s relatively little to say about the setting. But still, we can work with the basics that we have.

Where & When

The story has three distinct settings. It starts off in southern England on the 20th July 1966, immediately after the events of The Faceless Ones. The main section, however, takes place on the 2nd and 3rd June 1866, at an English country house, with all of the action being confined to the building and its grounds.

Settings: Inverness and Culloden (The Highlanders)

The Highlanders is partly notable for introducing one of the longest-running companions in the show’s history, but perhaps more so for being the last of the Hartnell-style historicals. This doesn’t mean it will be the last of these posts to address a historical setting, but even the one story after this that lacks SF elements is very different from anything in the black-and-white era. The story is entirely missing and has a relatively weak reputation, typically regarded as being below average but not actively bad. 

Where & When

The story takes place in and around the city of Inverness in northern Scotland. As with some of the other pure historicals, it includes a real-world event, allowing us to date it precisely: the TARDIS arrives around 2 pm on 16th April 1746, and leaves late at night on the following day. 

Settings: 17th-Century Cornwall (The Smugglers)

The last of the Hartnell historicals, The Smugglers is a pirate adventure, something that has a long tradition in TTRPGs. The general consensus is that it’s a failure in this regard and one of the weaker Hartnell stories. It doesn’t help that it’s another completely missing story and, worse still, has no incidental music, which hits even harder when you don’t have the visuals. But in a game, we can ignore that and have… well, a story about pirates and hidden treasure. Which is generally a plus.

Where & When

The date is never specified, except that it falls in the 17th century. The costumes suggest the latter half of that century, and the mention of a king narrows it down further. Fan consensus tends to opt for the 1690s, but not universally, and we can pick any date from 1660 to 1700 without contradicting anything. The story is set in an unnamed village on the Cornish coast that is likely not intended to represent any specific real-world location.

Settings: The OK Corral (The Gunfighters)

There’s practically a rule in TV series that involve time travel that, sooner or later, at least one episode must be a Western. Based on the same historical event as Star Trek’s “Spectre of the Gun”, this is classic Doctor Who’s offering. While it has the benefit of surviving in its original form, it is regarded as middling to weak by most fans. 

That may partly be due to the English actors not making convincing Americans, and partly due to the comedic tone of the early episodes, but perhaps mainly because it is narrated using a repetitive song. Fortunately, few RPGs insist that the GM sing out descriptions of events, so we can at least escape that element.

Where & When

Because the gunfight is a famous historical event, this is another serial that we can date precisely: it takes place on the 25th and 26th of October 1881. Most of the story is set in the town of Tombstone in what was then the Arizona Territory of the United States.

Settings: The St Bartholomew's Day Massacre

Following The Daleks' Master Plan, we’re back with another historical, and this time it’s perhaps the most obscure period of history the show has picked for such a story – at least for those of us who aren’t French. It’s another one that tends to divide opinion, with older fans regarding it as above-average for the era, and newer ones generally disdaining it. A lot of that may have to do with the fact that it’s entirely missing, with just a few publicity photos surviving and not even the on-set shots and stills that we normally have. Leaving that aside, let’s see what we can do with a story that not only leaves out the sci-fi elements but is set during a period most players probably have very little knowledge of.

Where & When

For the first time, we return to a previous setting for a full-length story: Paris. As with The Reign of Terror, it’s built around a real-world historical event, so we can state the date precisely: it takes place between the 20th and 24th of August 1572.

Settings: Giza (The Daleks' Master Plan, Pt 2)

The second half of The Dalek’s Master Plan covers even more settings than the first, including, as it does, a whistle-stop journey through time and space in the style of the mid-section of The Chase. However, most of these settings are visited only briefly, so we don’t have scope to say much that’s definitive about them. While the focus of this post will therefore be the section of the story set in Ancient Egypt, I will also take a quick look at the other places we see.

Where & When

Before returning to Kembel for the conclusion of the story, the protagonists make short stops at various locations on 20th-century Earth before arriving on the planet Tigus. This is uninhabited, leaving the date both irrelevant and impossible to determine. The main setting of this half of the story, however, is Ancient Egypt. This section is set in the Giza pyramid complex at an unspecified date in the early 26th century BC. 

Settings: The Fall of Troy (The Myth Makers)

To the surprise and apparent confusion of some audiences at the time, Mission to the Unknown is followed, not by a continuation of its Dalek plotline, but by an unrelated historical. It’s primarily a comedy and lacks the evident educational remit of the earliest historicals. Like much of season three, it’s entirely missing in its original form, and, unlike the previous two stories, there is no animated or live-action reconstruction. This probably leaves it as one of the more unfamiliar stories to most viewers, and it's generally regarded as an average story by those who know enough about it to have an opinion. The comedic nature and the fact that it isn’t even trying to be historically accurate may present problems in typical time-travelling RPG settings, but let’s see what we can do.

Where & When

The story is based around the end of the Trojan War, as depicted in Homer’s Iliad, rather than as it would have been in real history. Troy, also known as Ilium, did exist, lying just south of the western entrance to the Dardanelles Strait in what is now Turkey. Based on archaeological evidence, the most likely date for the War is around 1180 BC, although, judging from the few surviving stills, the look of the story borrowed more from the Ancient Greece of at least four centuries after that.

Settings: 1066 and All That (The Time Meddler)

The Chase was originally intended as the second season finale, and that’s apparent from watching it. This, however, means that The Time Meddler feels a little like a season opener, even though it takes the finale slot. It’s another episode where opinions tend to differ between older and younger fans, with the former holding it up as a particularly strong episode and the latter often finding it more middling. 

What can’t be denied, though, is that it’s a significant story in the ongoing development of the series. Most notably, perhaps, it’s the first of what fans refer to as ‘pseudo-historicals’ – stories set in the past that nonetheless have science fiction elements other than the presence of the time travellers themselves. Later, that will usually be the presence of monsters, but here, it’s arguably more low-key. It’s also much closer to the sort of story that time travel RPGs tend to focus on… and not just because it’s set at a particularly memorable moment in history.

Settings: The Third Crusade

Next, we reach another pure historical episode, and it’s one in the style of the first-season historicals rather than the more light-hearted tone of The Romans. It’s the only story of its season not to wholly survive in its original form, with only the first and third episodes available. Nonetheless, and despite lacking science fiction elements, it’s comparatively well-known for a ‘missing’ story, probably because it’s quite early in the run and it’s at least possible to watch half of it. It’s generally regarded as unremarkable, neither particularly good nor particularly bad. To modern eyes, the use of brownface for most of the Middle Eastern characters is a drawback, but it’s not one that applies if we use it as a game setting.

Where & When

The story is set in 1191 in and around the port city of Jaffa. It is based, albeit loosely, around a real historical event that occurred in autumn of that year. Since the details are changed, and the timeline greatly compressed, it’s difficult to narrow down an exact date, but we’re likely in either October or November. Shorter than the previous historicals, the story takes place over the course of just two days.

Settings: First Century Rome

We are overdue for a historical by this point, so it’s no surprise that the fourth story of the second season fits that description. Unlike the previous historicals, however, this one is a comedy and fan reactions tend to depend on whether or not they find that it works as such. In game terms, however, there is enough present that it’s possible to play it mostly straight and try to let the humour follow naturally, rather than forcing it.

Where & When

As with The Reign of Terror, the story includes a real-world historical event, making it possible to date it precisely. The bulk of the story runs from 10th to the 18th July in the year AD 64, although the characters have been in Italy for “four or five weeks” when it starts, and there is a gap of a few days at the end before they leave. Most of the action takes place in Rome, although there are some scenes set in other nearby parts of Italy.

Settings: The Reign of Terror

With the stories still alternating in theme, we turn to another pure historical for what became (but was not originally planned to be) the first season finale. While two of the original episodes no longer survive in their original form, animations have been made from the soundtracks and are now widely available, so it’s likely that these are the oldest “missing” episodes that have been widely viewed in some form. Fan opinion is largely consistent in rating the serial as middling to weak despite it being set in a dramatic and significant period in history so it’s worth seeing if other options present themselves.

Where & When

The story takes place in, and just outside, Paris during the eponymous Reign of Terror. For the first time in a historical story, we can place the date exactly because it includes a known event from real-world history. Specifically, it takes place over a six-day period concluding on 28th July 1794.

Settings: The Aztecs

The first season of Doctor Who alternated between science fiction stories on alien worlds and ‘pure’ historicals in Earth’s past, with the exception of the one story written at the last minute to fill a gap. This may not have been wholly intentional, but it is the pattern we have and means that serial number six is once again historical. Moreover, it maintains the exotic feel of its predecessor, Marco Polo, by not being set in the European history that we in the West tend to study most in school. It’s a very popular story with old-time fans, often stated to be the best of all the Hartnell serials, but tends to score as only decent-to-middling with younger fans, perhaps because of the over-the-top nature of the villain and the use of white actors as non-white characters. Neither of which are a problem in a game based on the story.

Where & When

The story takes place in Mexico, during the time of the Aztec Empire. While the exact date is impossible to pin down the Empire only lasted a hundred years, which narrows down the possibilities. Since the tomb in the story is dated to the 1430s and its architect’s son is still alive, the mid-15th century seems the most likely timeframe.

Settings: Cathay

The fourth serial is arguably the first of the Hartnell ‘pure historicals’; stories set in the then-past that contain no science fiction elements beyond the presence of the time travellers. This, of course, assumes that you don’t consider 100,000 BC separately from the first episode, although, if you want to be really nitpicky, “prehistory” also isn’t quite the same thing as “history”, either. At least as significantly, it’s the first “missing story”, with only the soundtrack surviving in its original form. Fortunately, that’s enough for us to be able to experience it in some limited way, and certainly sufficient for what I’m doing here. 

Where & When

The story is set in 1289, earlier than most modern series historical settings, although not remarkably so. It involves an epic journey, taking the protagonists from the Pamir Mountains, through the Gobi Desert, and across China to eventually reach Beijing. It refers to China by the name that Marco Polo used for it historically and that was standard in Europe at the time – Cathay.

Settings: 100,000 BC

Although An Unearthly Child is marketed as a single story, and was produced and directed as such, it involves two quite different settings and there’s a notable change in tone between the first episode and the subsequent three. Those three episodes give us our first exotic setting to explore, even if it’s one that we wouldn’t normally associate with a science fiction show. For that reason, I’ll treat it separately from the first episode here, and I’ll likely do something similar for other stories that spend significant time in more than one setting, such as The Chase. 

Where & When

Based solely on internal evidence, there is no way to date the setting of the story much more precisely than ‘the Stone Age’. This is a vast stretch of time, perhaps 99% of the whole of human history, depending on your definition. However, we know that the writer envisaged the date as 100,000 BC and that that was even the title used in some early BBC publicity in the days before the serials had onscreen titles. The geographical location is even vaguer, and, again based solely on the story as televised, we can’t even be confident it’s on Earth, since the DW universe has many alien races physically indistinguishable from humans. However, it’s clear that that’s not the intent, so “somewhere on Earth, approximately, 100,000 BC” it is.