Settings: Planet of Giants

The second season kicks off with a story that takes a different turn than the usual for the show; a science-fiction concept to be sure, but not one that’s standard for Doctor Who. It’s not an especially well-regarded story, in large part due to the murder subplot, but it’s not hated either, tending to score middling or slightly below in most fans’ estimations. Still, it is an undeniably different setting and one that has worked in other shows or films, so the potential is there.

Where & When

The story takes place entirely inside one mid-sized house and its accompanying garden. It’s set in England during the 1960s, but it’s hard to be more precise about the location than that. The date is intended to be “contemporary” but that doesn’t necessarily mean 1964 and fans have suggested possibilities ranging from ’63 (the year for which the Doctor was aiming) to the “near future” of ’69. From our 21st-century perspective, it hardly matters.

Settings: The Reign of Terror

With the stories still alternating in theme, we turn to another pure historical for what became (but was not originally planned to be) the first season finale. While two of the original episodes no longer survive in their original form, animations have been made from the soundtracks and are now widely available, so it’s likely that these are the oldest “missing” episodes that have been widely viewed in some form. Fan opinion is largely consistent in rating the serial as middling to weak despite it being set in a dramatic and significant period in history so it’s worth seeing if other options present themselves.

Where & When

The story takes place in, and just outside, Paris during the eponymous Reign of Terror. For the first time in a historical story, we can place the date exactly because it includes a known event from real-world history. Specifically, it takes place over a six-day period concluding on 28th July 1794.

Settings: The Sense-Sphere

Continuing with the alternating themes of the first season, we are back to an alien planet with The Sensorites, in the first story to show some of Earth’s future. It is one of the less popular stories of the Hartnell era, with many fans feeling that it’s just too long at six episodes or taking issue with some of the themes of the titular aliens. Having said that, this is not a serial that nobody likes, with a significant minority enjoying the relatively subtle ‘60s sci-fi. In either event, these are not the sort of issues that would get in the way of a scenario based on the story.

Where & When

The story takes place on, and in orbit around, a planet somewhat strangely named the Sense-Sphere. This is at least in the same galaxy as Earth, but beyond the area of space governed/inhabited by humans at whatever the date may be. Maitland states that that is the 28th century but doesn’t give any more precise figure. If one has to pick a specific year, 2764, eight centuries after the broadcast date, is as good as any. Since it is the first story to be explicitly set in the future, rather than on an alien planet with no apparent connection to Earth, the date had, at the time, no larger context of future history to be placed in – it might as well be plucked from thin air.

Settings: The Aztecs

The first season of Doctor Who alternated between science fiction stories on alien worlds and ‘pure’ historicals in Earth’s past, with the exception of the one story written at the last minute to fill a gap. This may not have been wholly intentional, but it is the pattern we have and means that serial number six is once again historical. Moreover, it maintains the exotic feel of its predecessor, Marco Polo, by not being set in the European history that we in the West tend to study most in school. It’s a very popular story with old-time fans, often stated to be the best of all the Hartnell serials, but tends to score as only decent-to-middling with younger fans, perhaps because of the over-the-top nature of the villain and the use of white actors as non-white characters. Neither of which are a problem in a game based on the story.

Where & When

The story takes place in Mexico, during the time of the Aztec Empire. While the exact date is impossible to pin down the Empire only lasted a hundred years, which narrows down the possibilities. Since the tomb in the story is dated to the 1430s and its architect’s son is still alive, the mid-15th century seems the most likely timeframe.

Settings: Marinus

It’s not until the fifth serial of the original series that we have the second story to feature aliens other than the Doctor and Susan. It’s also, of course, our second alien planet, although the new series would take even longer to get around to that. The story The Keys of Marinus has a poor reputation among many older fans, scoring badly in rankings on review aggregator websites. Unusually, however, it seems to be almost universally popular among fans of the modern series who dip into the classic one for the first time, perhaps because of the story structure. Despite being first broadcast in 1964, this resembles a video game and, importantly for our purposes, involves visiting different and varied locations as the protagonists collect the items that they need in order to leave.

Where & When

The story is set on the planet Marinus, which has no known connection to Earth. The world is barely even mentioned again, and never in any context that allows us to date this story. The implication would be that it’s a long way from Earth, probably in a different galaxy, but even that is supposition. Different fan theories and a comic story come up with wildly different answers from the distant past to the distant future. Without any connection to Earth, it honestly doesn’t matter.

Settings: Cathay

The fourth serial is arguably the first of the Hartnell ‘pure historicals’; stories set in the then-past that contain no science fiction elements beyond the presence of the time travellers. This, of course, assumes that you don’t consider 100,000 BC separately from the first episode, although, if you want to be really nitpicky, “prehistory” also isn’t quite the same thing as “history”, either. At least as significantly, it’s the first “missing story”, with only the soundtrack surviving in its original form. Fortunately, that’s enough for us to be able to experience it in some limited way, and certainly sufficient for what I’m doing here. 

Where & When

The story is set in 1289, earlier than most modern series historical settings, although not remarkably so. It involves an epic journey, taking the protagonists from the Pamir Mountains, through the Gobi Desert, and across China to eventually reach Beijing. It refers to China by the name that Marco Polo used for it historically and that was standard in Europe at the time – Cathay.

Character Templates: Time Student

So we come to the final character template, the one that's essential in a game like this, even if only as an option. I have found that the character isn't as popular as one might expect, probably because players realise that the ability to control a time machine isn't terribly relevant in a one-off convention game that's likely to have only a single setting. Which is why, in fact, it isn't essential for anyone to pick this character, or even the time agent... the TARDIS is a means to get characters to the plot and they don't really need to be able to steer the thing. Or, at least, not in anything I've written so far, since possibilities clearly do exist for such a scenario.

DWAITAS has mechanisms built in to balance Time Lord characters against regular humans - essentially giving them high skills at the expense of limited plot points - but here I've made that more apparent by making this particular Gallifreyan a student who's basically on an unauthorised gap year. So, while she does have some clear advantages, she's not a fully qualified Time "Lord" yet (though she might claim otherwise, depending on how the player interprets her) and shouldn't overshadow the others, or take a clear leadership role.