DWAITAS: 9th Doctor Sourcebook

And, then, in 2005, the series came back.

But it had, of course, regenerated into a form notably changed from its former self. This was "Nu Who", and, fandom being what it is, there are still some who haven't got over that fact. Nonetheless, we are now in an era of the show more familiar to younger viewers, and, indeed, to many Americans. Having said which, while the series was an instant hit in the UK, it was another season or so before it really took off in the US, which means that the Ninth Doctor Sourcebook could well be less popular than the two volumes that will follow it.

Popularity aside, this book does have a couple of more immediate problems to cope with. The first, which has already been faced by volumes Six and Seven, is the small number of stories there are in this era. Indeed, there are only ten, less than that of any previous incarnation save the Eighth, and most of them are only about half the length of what had been the standard for much of the classic show. The second problem is the relatively tight story arc of the season, at least in terms of character development (rather than the superficially more obvious Bad Wolf thing). This makes it somewhat difficult to fit new stories into the era without it feeling more of a squeeze, something reflected in the content of this book.

But what do we have? Well, we start, as always, with an examination of the Doctor and his companions. Rose, and arguably Captain Jack, are the only real companions here, of course, and the book acknowledges that. However, Jackie and Mickey are included as important supporting characters, and there's a discussion later on in the book (in the Aliens of London entry) on how these sorts of characters can be used in campaigns - something that hadn't really been seen at all in the classic show, even during the UNIT era. Adam also gets a write-up, with the obvious caveat that he's exactly the sort of character you shouldn't be playing, just as his function in the series is to be the "failed companion" that helps to highlight the significance of the real ones.

DWAITAS: 8th Doctor Sourcebook

The Eighth Doctor Sourcebook was always going to be the hardest of the series to write, and the one that was going to be least like all the others. The problem is obvious: at the time it was commissioned, the 8th Doctor only had one televised story, namely the 1996 TV movie. Since then, we have also had the seven minute webcast The Night of the Doctor, but that leaves a grand total of one-and-a-half stories to cover, neither of which give us much to extrapolate from.

One of the first things you note about the sourcebook is that the cover image, and most of the larger stills inside, come from The Night of the Doctor, not from the much longer TV movie. This is, it has to be said, reflected in a lot of the content, too, where the author shows far more interest in those seven minutes than in anything that happened in the other 85. He may not be alone among fans in that respect, mind you, and  it's not as if the TV movie fits terribly well into the overall picture of Doctor Who...

In fact, the book spends just 30 pages on the the actual subject of the 8th Doctor and his adventures. And, frankly, it needs a bit of padding to get that far. The book opens with a chapter on the Doctor and his companions, and here we see the first problem that the authors had to contend with: the 8th Doctor doesn't really have any televised companions. True, Grace fills that role in the TV movie, but she doesn't travel with him at the end of it, so she's really no more a companion than Ray in Delta and the Bannermen or Christina de Souza in Planet of the Dead. Still, for lack of anybody else, the book treats her as if she is a companion, and throws in Chang Lee and Cass (from The Night of the Doctor) for good measure. It makes an effort to explain how the latter could become a companion in an alternate timeline (for legal reasons, it can't do the same for Grace), but in the end, it has to concede that none of them really count.

DWAITAS: 7th Doctor Sourcebook

And so, with this sourcebook, we reach the end of the classic era of Doctor Who. The broad fan consensus on this era is that, at least in its last two seasons, it marked a significant improvement over the era that preceded it. While, for some, that might be merely damning with faint praise, there are many who regard it as a true return to form, albeit one that came far too late to stave off the threat of cancellation. Because, frankly, by this point, most of the audience had already left.

But with a sourcebook like this, published so long after the fact, that's no longer an issue. A more significant problem, perhaps, is one that this volume shares with the Sixth Doctor Sourcebook, and, looking ahead, with that for the Ninth: the Seventh Doctor only has twelve stories, just one more than his immediate predecessor. Which makes it tougher to find enough to say to fill the book out.

And, yes, as we might expect, the entries on the individual stories are considerably longer than they were in volumes prior to #6 - about twice as long, on average, as those in the first three volumes. However, on the positive side, it also means that this book has room for quite a lot of discussion on the general themes of the era, and for the background to what's going on in these last dozen stories.

The book begins, as usual, with descriptions of the Doctor and his companions. Somewhat oddly, Sabalom Glitz is in this chapter alongside the genuine companions. It's true enough that he fills a somewhat companion-like role in his one adventure with the Seventh Doctor, but, still, it is only one, and he was in two with the Sixth Doctor. Anyway, players should note that this is a proper PC version of the character, not the NPC one from the previous book - a difference marked largely by a full set of Story Points, although there are some other improvements, too.

DWAITAS 6th Doctor Sourcebook

Okay, it's confession time: the Sixth Doctor's era is my least favourite in all of Doctor Who.

Nor am I alone in this. While the Sixth Doctor does have his fans, they aren't terribly numerous. His run of stories are generally reckoned to be amongst the weakest in the show's history, rising to the level of mediocrity once or twice, but more often falling short of such a target. Indeed, while I am sure there are those who will disagree, I'd argue that they're the only two seasons in the entire run that haven't included even one story I could honestly call 'good'. For that matter, by popular acclaim, the single worst Doctor Who story ever broadcast is the Sixth Doctor's debut, The Twin Dilemma.

I am, of course, compelled by the Sacred and Unwritten Rules of Fandom, on pain of being banished to the Planet of the Ming-Mongs, or some such, to follow that up with "...but he's a lot better in the audios." That caveat is, it seems, as mandatory as it is true, but, sadly it's not relevant here. Since, of course, Cubicle 7's license doesn't extend beyond the TV series itself, and the best they can do is make oblique references to the spin-off material. (Which they do, for example, on p.22)

At any rate, I wasn't exactly bursting with excitement to read this particular instalment of the DWAITAS Sourcebooks. Yet, when you think about it, this book does have two advantages that it's predecessors didn't. Perhaps the more obvious of these is that the Sixth Doctor only has eleven televised stories. With Cubicle 7 insisting that every book in the series has to have at least 160 pages, you should at least have space for a pretty detailed discussion of every one of them. The downside of this, though, is that you're in danger of resorting to spurious padding to try and fill the page count up.

DWAITAS 5th Doctor Sourcebook

You're never going to get the whole of Doctor Who fandom to agree on when, or, for that matter, even if, classic Doctor Who "jumped the shark" and was irretrievably no-longer-as-good-as-it-used-to-be. But there seem to be at least three popular suggestions. Perhaps it was The Invisible Enemy, shortly after Philip Hinchcliffe was ditched as showrunner (or 'producer', as it was then). Or maybe The Leisure Hive, after Hinchcliffe's replacement left. Or perhaps The Twin Dilemma, a few more seasons down the line.

There are, of course, other possibilities, but the thing to notice about the three I've listed is that two of them doom the whole of Peter Davison's run to post-shark-jumping oblivion. A lot of people just aren't very keen on '80s Doctor Who, and how it sometimes seemed to be just treading water, and looking a bit naff.

But then again...

A lot of fans first came to Doctor Who in the '80s, and, numerically, there were more of them starting in Davison's era than in the two that followed. For many fans of the right age, Davison is "their Doctor", and fondly remembered. Astonishingly, on the fanfic site A Teaspoon and an Open Mind, there are actually more stories featuring the Fifth Doctor than any other of the classic era - even supposed fan favourite Tom Baker. (And most of them aren't pervy, in case you're wondering if that's the reason). Furthermore, the Fifth Doctor story The Caves of Androzani is frequently voted the single most popular story of the entire classic run, even managing to beat the likes of Genesis of the Daleks and The City of Death.

DWAITAS: 4th Doctor Sourcebook

The Fourth Doctor Sourcebook was always going to be the most challenging for Cubicle 7 to pull off, at least among the first seven of the series. There are a number of reasons for this, starting with the simple observation that there are far more televised stories for this era than for any other. Each of the first three books spent an average of about four and a half pages per story, filling out the remainder of the 160 pages available with a broader overview and rules.

The 4th Doctor has 41 televised stories: you can immediately see why the arithmetic there is going to pose a problem.

Many multi-volume guidebooks of Doctor Who history have addressed this issue by splitting the era between two volumes. Cubicle 7, however, have taken the approach of just giving us more. This volume is a full 256 pages, over half again the length of the others. It's also noticeably jam-packed with content to an even greater extent than in the three we've already seen. 

However, sheer length alone is not the only problem with bringing the 4th Doctor era to life. The audience is likely to be demanding, since this era is widely acknowledged as the best and most popular of the entire classic run. In polls to determine people's "favourite Doctor", only the 10th regularly offers up any challenge (and which of the two comes out on top largely depends on the demographics of your poll respondents). Looking specifically at the classic era, polls of "favourite DW stories" are dominated by Tom Baker, with over half of the entries in any top ten typically coming from this period.

DWAITAS: 3rd Doctor Sourcebook

With the third in the series of past Doctor sourcebooks, we reach an era that is, perhaps, one of the most distinctive, quite different in many ways from those that preceded and followed it. It's also, and for much the same reason, rather controversial. For many fans, especially those who were watching in the early '70s, the Third Doctor is their favourite, yet, for many others, the nature of the stories in this era is just too different to really enjoy in the same way as those that came later.

From the point of view of a sourcebook, this is actually something of an advantage. Because the era is unique, there's quite a lot to say about it. It may also help that much of what makes the Third Doctor's tenure different also makes it closer to traditional roleplaying games. It's perhaps easier, for instance, to see how Spearhead from Space could be made into a straightforward roleplaying adventure than more character-driven tales such as The Girl Who Waited.

The most obvious thing that stands out about the era is that over half of the stories are set primarily in the present day, perhaps with a brief excursion elsewhere for a couple of episodes. But there's more to it than that. The Doctor is, in most of these present day stories, backed up by UNIT, a military organisation, and - while he argues with them frequently - he is broadly content to work alongside them. It's hard to imagine the Doctor of Power of Three remaining on Earth for quite so long without going stir crazy.

DWAITAS: 2nd Doctor Sourcebook

The Second Doctor's era is a crucial one in the development of Doctor Who as a series. There's the obvious point that the regeneration itself, and the show's re-invention that followed it, are a large part of why it has survived so long. But it's also significant that much of what we now associate with the show originated with the Second, not the First, Doctor. The First Doctor's adventures, as I mentioned in the previous review, were quite different to what we have now, and often at least tried to be fairly sophisticated science fiction, with a focus on alien culture, moral quandaries, and the practicalities of surviving in a hostile past.

While there certainly are some pretty sophisticated stories in the Second Doctor's era (The Mind Robber particularly springs to mind), there was also a change in focus. This era became about monsters in a way that the first three seasons had never really tried to be - aside, of course, from the Daleks. Other features of the era that have since been commonplace include the 'base under siege' trope, with an isolated outpost menaced by hostile aliens. That's first seen in The Tenth Planet, the very last Hartnell episode, but it becomes much more common under Troughton, notably describing all but one story in the fifth season.

It's also the first time we have a companion joining for the sheer fun of time travel, and the last of the truly reluctant companions. In this respect, the dynamic of the show is also becoming something we more readily recognise today. It's also, for that matter, the first appearance of the sonic screwdriver. This, incidentally, is first seen in Fury From the Deep, a story in which it's only used to, of all things, undo some screws! Even in this era, it gets to do more later on...

This gives the second volume in the DWAITAS sourcebook series an advantage that the first volume could never really have. The stories here are more familiar in style, more the sort of thing somebody who'd only ever seen Nu Who (or, indeed, much of the colour era of the classic series) would expect. In particular, there are a host of monsters to throw into our own scenarios, where in the first sourcebook there were only Daleks and a bunch of alien cultures - many of which, like the Drahvins and the Moroks, look essentially human.

DWAITAS: 1st Doctor Sourcebook

A bit of a departure as far as my sparse and occasional reviews are concerned, I know. Not least because I haven't got round to reviewing the actual game. That's largely because I haven't yet had the chance to play it, and it's not really fair to review a game system you haven't actually used. I mean, it looks good, but how do you know until you get the dice out and give it a whirl?

But supplements are a different matter. I can't comment on how well the stats have been balanced, or whatever, but I can at least comment on what's provided. Also a bit odd, perhaps, that I'm starting with this one, given it's the fourth supplement to come out (although one of the others was a bestiary, where the utility of the stats is kind of crucial). But, hey, this is the way it is, so there!

Obviously, the reason for me buying this is that I'm hoping to get some use of it. I have some ideas for a DWAITAS game, and hope to put them into practice in the none-too-distant. Then I guess I'll know how well the rules work. The reason for me starting with this in particular, apart from the fact that it's hot off the presses, is that I have been going back through some First Doctor stuff of late, including reading volume one of TARDIS Eruditorum, which I reviewed here. As I was reading that - before this book was even announced publicly, I was pondering how DWAITAS would handle that era, and what material a (then hypothetical) sourcebook would cover. Now I know.

And, you know, the great thing is, this is almost exactly what I would have wanted. Pretty much everything that my random musings had thrown up along the lines of "they ought to do this" is here. It's a really excellent RPG sourcebook for this era of the show's history.

Pavis: Gateway to Adventure - Review

By now, Moon Design has a tradition of producing expensive, but hefty, sourcebooks for Glorantha. The latest offering, Pavis: Gateway to Adventure is no exception. At $60, it's two to three times the price of urban sourcebooks such as the Zobeck Gazetteer or Pirate's Guide to Freeport. But there's clearly a reason for that: those books are 116 and 256 pages, respectively, whereas this one is over 416. And, for that matter, the price compares well with the monumental Ptolus: City by the Spire, which weighs in at 808 pages and $150. (I'm ignoring PDF versions here).

Pavis is billed as the third part of the Sartar line, with the other two parts being Kingdom of Heroes and the Sartar Companion. Like those two books, it is divided between source material and adventures, with about two thirds of the book being taken up by the former. As the third in a line, it isn't intended to be stand-alone, and the nature of Glorantha would probably make it harder to port into other settings than, say, Freeport would be. As such, it's probably fair to say that this is aimed at existing fans, rather than the casual RPG purchaser.

Indeed, that's probably more true with this volume than the previous two, since, it is, of course, an update of the RQ2 supplements Pavis: Threshold to Danger and Big Rubble: the Deadly City from the early 1980s, and has obvious old-timer appeal. The new version is written for HeroQuest 2, although, frankly, that's such a rules-lite system (and most of the setting-specific rules are in Kingdom of Heroes, anyway) that, assuming you're willing to put the work in, the book is almost equally useful to someone playing some version of RuneQuest. Or whatever else your system of choice might be, come to that. (Well, okay, so something like Pathfinder might be a lot of work, but you get the idea).

Sartar Companion - Review pt 2

The Sartar Companion includes six scenarios. They are not linked together by any common theme, and can be run in between sessions of the Kingdom of Heroes scenario, or separately. The first of these is "Return to Apple Lane", which is a sequel to the original Apple Lane scenario, first published in the late '70s, and later, for RQ3 in 1987. Its hard to avoid the feeling that this is a nostalgia-fest for those whose first experience of Glorantha may well have been this introductory adventure way back when. However, no knowledge of the original is required, and the scenario will work just as well for those new to the hamlet.

Details of Apple Lane itself have been changed to fit the new rules, but most of these changes are fairly minor, and the majority of the original NPCs are present - albeit five years older. The only ones who are obviously missing are the Humakti weaponmasters; their building is shown on the map, but they appear to have left the hamlet at some point, perhaps to prevent them offering too much assistance to the PCs. The scenario itself is also reminiscent of the original, with the heroes once again finding themselves defending Gringle's Pawnshop, this time from the Lunars.

The conclusion to the scenario is fairly scripted, although it feels natural enough, rather than railroading the players. Suffice to say that "Return to Apple Lane" is also a bridge between the original RQ version and "Sheep, Clouds, Thunder" from the Gathering Thunder scenario book for HQ1. That received some criticism for the way it treated the hamlet; at least this time the heroes get to salvage something first, and the ending isn't as downbeat as might be expected.

The second scenario, "The Hero and the Grove", is a short heroquest about strengthening the magical pact between the Colymar Tribe and the local wild lands. It's a fairly average heroquest, but does have the advantage of being a good introduction to the concept of re-enacting myths in the Otherworld. If possible, it would probably be a good idea to run this (or something like it) before the more dramatic otherworldly adventure in Kingdom of Heroes, at least if your players are new to the concept. A nice touch here is the description of how the myth was enacted first by Orlanth, then Heort, then Colymar, showing a common historical theme in heroquesting.

"Treasure of Two-Face Hill" is an expansion of a plot hook provided in the background section of the book. There's a good chance the players will need to spend some hero points just to have their characters survive the first part of the scenario (although its also possible to side-step this entirely, if they're more sensible than your average PC), but from then on it turns into a question of how to defend your clan from something that's essentially unbeatable in combat. This is one of those areas where the HQ2 habit of rating opponents as "Nearly Impossible" to defeat, or whatever, really does make sense - if the enemy wasn't significantly tougher than the heroes, there wouldn't be a scenario.

For my money, the best scenario in the book is "Ghosts of the Ridge". Here, the players are presented with a problem that can be solved in numerous ways, all with their own pros and cons. The judicious use of extreme physical violence is certainly one of the options, although perhaps not the best one. While the heroes are certainly free to try that, and other possibilities besides, the scenario nudges them towards seeking a legal solution to their situation, and undertaking a rather cool heroquest to recover an item of considerable magical power. Characters following Lhankor Mhy, god of knowledge, will probably get as much chance to shine in this one as the warriors, if not more so. The heroquest can also be run as a stand-alone scenario, should the characters choose another way of dealing with the central issue in this one.

"The Gifts of Stone" starts out fairly scripted, with some obvious scenery-gawking, but later turns into a return visit to another old RQ scenario, in this case the Sazdorf tunnels from Haunted Ruins. The nature of the heroes' mission makes this feel somewhat different from the original, and there are a few reminders that you're not here to just steal treasure from the trolls!

The final offering isn't so much a scenario as a bit of scenery setting. The Crimson Bat arrives in Sartar, eats a bunch of people, and then buggers off to Whitewall. This can be used as an opportunity to do all sorts of things, and is rather more dramatic than it may sound. If you already know what the Crimson Bat is, 'nuff said... if not: "scary" about sums it up.

So, the actual narratives of the scenarios are, on the whole, pretty good. Where they fall down is for the same reason as in Kingdom of Heroes: the lack of any stats. This was, to my mind, a significant drawback in that book, and it hasn't been fixed here, either. This flaw naturally extends to the encounters, and, to some extent, the background material, as well as to the scenarios.

To be fair, the writers are quite up-front about it - literally so; they mention it in the introduction. Their argument is that stats "aren't necessary" in HQ2, which is technically true, but doesn't mean that they aren't highly desirable, at least for some GMs. Instead, anyone who thinks such things are useful is just told to go away and do all the work themselves, which isn't terribly helpful.

Now, one of the problems with HQ2 as a system - if you like the style of gaming I do - is that you couldn't give numbered stats to NPCs if you wanted to. The system doesn't work that way, and sometimes (as in "Treasure of Two-Face Hill", mentioned above) that's an advantage, and sometimes it isn't. Either way, nobody can blame the writers for leaving out the numbers, since they just wouldn't make sense.

But that isn't to say that you can't give a clearer idea of what the NPCs and other encounters are capable of. A listing of significant abilities is all that's required. In fact, this is done for one particular being (p226), so why not the others? You're presumably supposed to infer any stats you might need from the text descriptions, but this really isn't very satisfactory, especially for the more important characters, like the villain in "Return to Apple Lane". Yes, you can do all the work yourself, as you're advised to, but you shouldn't have to.

A rather sour note to end on, then, although it has to be acknowledged that many people won't find the lack of stats a problem at all, and some will doubtless rejoice in the freedom it gives them. But, really, it's my only major criticism of the book, which in every other respect (except maybe the proofreading) is of high quality, and eminently useful for any Sartar-based campaign. If you don't mind going only PDF-only, you can even get it for almost half price, which is pretty good value, all things considered. There's a lot of really good material here, and the book deserves to do well.

Sartar Companion - Review pt 1

The Sartar Companion is the follow up to Kingdom of Heroes for HeroQuest 2. The book has the same format as the earlier volume, weighing in at 296 pages, for a rather steep €40 price tag. Still, given the size of the book, and the volume of material in it, that doesn't seem an unreasonable price, and the alternative would presumably have been two books at rather more than half the price each - economies of scale being what they are. The book also includes a couple of full page, full-colour maps, one of the whole Dragon Pass area, and the other of the Colymar lands.

One negative point is that the proofreading does not appear to have been done to a very high standard, with a number of jarring typos throughout the book. Having said that, its not as bad as it was in the early Hero Wars books, or some of the Mongoose books, for that matter. I've seen much, much, worse in other published RPG products, but that doesn't mean there isn't room for improvement. Perhaps the instance most in need of an erratum or clarification is the description of the walls of Runegate, which manages to contradict itself within the course of a single paragraph! Other than that one example, however, the intended meanings are usually clear.

The contents of the book are something of a random assortment, which is only to be expected in a "Companion" volume. That is, the book includes all the bits they couldn't squeeze into the already large Kingdom of Heroes. In a similar vein, as the title implies, the book is of little use if you don't own the previous one. Unlike KoH, though, virtually everything in this is GM-only information, with only the 40 or so pages dedicated to cults being of much use to players. Character generation and general background were, after all, fairly well covered in KoH.

Broadly speaking, the book can be divided into four sections: background, encounters, scenarios, and cults.

The background section describes the city of Jonstown and the towns of Runegate and Clearwine, along with several other locations, such as the Old Wind Temple and the Starfire Ridges. Much of this is directly linked to the scenarios later in the book, and a few "For more information, see p. XX" tags might have been helpful as a result.  Some locations, such as Two-Face Hill, are therefore described into two different parts of the book, with neither making reference to the other. Having said that, everything in this section is stand-alone, and much of it serves as detailed background for gaming.

Places such as Jonstown are described in some considerable detail. Town plans in the style of those in the first book are included again, but here there is more emphasis on individual characters within the city, and the material is even more directly relevant to play. There are some oddities here and there, where NPCs are described as "very hard" to defeat in combat, or whatever - apparently regardless of who the player characters are. This is the sort of thing that makes perfect sense in a scenario, but putting such things into a background description that doesn't have a specific narrative feels rather odd. Of course, its easy to ignore, and is doubtless useful information for someone, so its a little unfair to actually complain about it.

The emphasis in the locations is fairly strongly on the Colymar clan and their local geography. For some reason, the Colymar have never particularly interested me, but given the scenario in the previous book, it does make sense to expand on them here. It can also provide useful ideas for anyone wanting to strike out with their own tribe, and gives groups the opportunity to feel that a particular corner of Sartar is more "theirs", without official publications contradicting it. And material on large and important places like Jonstown should be useful to everyone, regardless of their choice of tribe.

In addition to what is really some very good location writing, the background section of the book also includes a section on dragonewts, which is useful but adds little to what long-time fans already know, and a bumper section of 100 rumours in the old True/False/Mostly True/GM Choice/Meaningless format from the RuneQuest days. Nostalgia aside, a good GM can get a lot out of this section, and its a welcome addition.

The next major section focuses on encounters. There is an actual random encounter table, rolling percentile dice against the terrain type to generate possibilities, although, of course, its use is entirely optional. (As an aside, there is no explanation of what percentile dice actually are - since they are never used in the HQ2 rules, its apparently just taken for granted that you already know. On the other hand, one might well argue that that's not an unreasonable assumption for Glorantha players!) There is also a table showing the typical weather in Sartar throughout the year which, if you'll pardon the pun, should help set the atmosphere.

The book includes 42 typical encounters, and 31 special encounters. The typical encounters include things such as merchants, Lunar patrols, dwarves, and broos. Each has a description covering at least a page - it is, however, slightly confusing to discover that, for example, the page with "Encounter: 17b" at the top in large bold letters is not a variant of Encounter 17, but simply the second page of that encounter description.

Each encounter type also includes at least one specific group or NPC in detail, and, in a nice nod to the past, these include such familiar characters as Biturian Varosh. These help put a face to a general encounter such as "Sartarite Farmers", illustrating how they can actually be used in play. Many are detailed enough that they serve as plot hooks that could lead to short GM-written scenarios.


The special encounters are somewhat different. These are unusual events, such as odd meteorological phenomena, or finding mysterious ruins, as well as meetings with unique NPCs, such as the Puppeteer Troupe. Most of these are relatively briefly described, as strange bits of scenery one might come across, with some entries being as short as a single sentence, while others go into more detail. As a result, most aren't really plot hooks, but rather ways of showing off the unusual environment.

After the scenarios, the book concludes with write-ups of six cults not included in KoH. These include Heler, Eurmal, and Odayla, all of which were previously seen in Storm Tribe for Hero Wars; Argan Argar and Babeester Gor, who haven't been properly written up since RQ3 days; and Kolat, who has never had an official cult write up at all until now. Taken together with KoH, this is all of the regular deities of the Sartarites, although the Tarsh exiles also worship Maran Gor, who we've yet to see, and Yelmalio is popular in some places, too. The latter, though, belongs more properly in the Pavis book, which will be the next one in the series, so his absence here is entirely expected.

The cult write ups follow essentially the same format as in KoH, at least for the four relatively normal deities on the list. Eurmal, being a god of the occasional outcast nutter, doesn't quite follow the usual scheme, and the writers do a fairly good job of pointing out all the huge disadvantages of worshipping him. Playing an Eurmali is, as it should be, therefore something of a challenge, and they're much better suited to being sidekicks who can get the PCs into trouble rather than heroes in their own right.

Kolat is the first proper look we've had at a shamanic, spirit-based cult. The book expands on the information in the appendix to the HQ2 rules, as well as listing numerous types of spirit on which the Kolating can call. The write-up gives the impression that Kolatings are rather more limited in their magic than followers of theistic cults, with their abilities generally being narrower, as well as giving them what could be quite a complex series of taboos that they must not break. This may well be intentional, emphasising that the Heortlings are predominantly a theistic culture, with little room for strange spirit wranglers. On the other hand, a Kolating does have magic that's different from everyone else's (at least in an all-Heortling campaign), and that difference alone can be an advantage.

It's perhaps worth noting that Serdodosa, Kolat's female counterpart, gets no more than a passing mention. Doubtless there wasn't room for two spirit cults in the book - Kolat's is the longest cult write up here - but hopefully we will see her described properly at some point, along with Maran Gor, and perhaps some of the more obscure options.

In part 2, I will look at the scenarios included in the Sartar Companion.

Kingdom of Heroes - scenario review

You may have noticed in my main review of Kingdom of Heroes that I said there were a few things missing that I would have liked to see more of. Given that, at the same time, I pointed out how unusually large the book is for a RP supplement, you might quite reasonably have wondered what I would get rid of to fit this extra information in. The answer, quite simply, is the scenario.

This isn't, I hasten to add, because it's a poor scenario - it isn't. It's just that I don't feel a scenario belongs in this sort of book, or certainly not a scenario of this length (70 pages). Removing this section, perhaps along with the material on the Colymar tribe that supports it, would not only have made the book shorter (and cheaper), but, perhaps more importantly, might have made it more attractive to players as well as GMs. The scenario deserved to be published, no doubt about that - but it could have had its own book without any real problem.

Nonetheless, Moon Design chose to publish it here, so the question is what is the scenario itself like? To begin with, it provides some information (most of it new, so far as I can tell) about the PCs' suggested base, the Orlmarth clan of the Colymar tribe. There is no particular reason why a GM would have to use the Orlmarth, though, and the scenario would work just as well with almost any Sartarite clan that isn't pro-Lunar - including, obviously, one that the players might have created themselves. Of course, it would require more work to do that, so the detailing of the Orlmarth as a typical clan is very welcome here.

The scenario itself concerns the PCs' attempts to acquire three things of great importance currently in the possession of hostile forces. I've heard it claimed that the scenario is rather 'rail-roading', but I really can't agree with that at all. There is one bit of rail-roading, which I'll return to later, but only one that I can see. For most of the rest of the scenario, multiple different options are frequently spelled out, often in some detail. This is partly why the scenario is so long, in fact.

The heroes have multiple different ways to resolve the problems in front of them, and the scenario won't break if they decide on the "wrong" approach, although choices made earlier on will most definitely have differing repercussions later. This, I think, is really the way to do it, and the authors have made a good job of it.

Oddly, though, I can see why it might not feel like that. In part one, for instance, the authors clearly hope that the PCs will take a specific, and fairly convoluted, path to acquiring the first item. That this path gets so much detail makes it appear quite rail-roaded even though, actually, you don't have to take that particular approach to succeed at the task.

Perhaps worse, there's a suggestion that the GM should, effectively, take over one of the PCs at critical points in the scenario, ensuring that he responds to challenges in the way that will best further the scenario. This is supposed to represent involuntary hero-forming, but the irony is that, in most cases, the players will probably do what they're supposed to do without the prompting. And if they don't... well, it might be a little more work for the GM, but the scenario won't break. In other words, you're giving them the illusion of having no choice in affairs, when actually they have free will. I'd recommend ignoring those bits, and let the players extemporise their own hero-forming, if they must.

There are also a few minor quibbles here and there. On a couple of occasions, the writers seem to forget that some of the PCs may well be heterosexual women, and there's an NPC with a background so mysterious, even the GM isn't allowed to know what it is - beyond the fact that, whatever it is, it's significant!

I had to read the description of one of the challenges three times to make head or tail of it, since it looked as if even a Complete Success would result in the hero failing abysmally. It turns out the stake wasn't what I thought it was, and the writers had made an unstated assumption that the heroes would be trying something that hadn't even occurred to me. That could have been made clearer, and alternatives provided. And the snippets of poetry get a bit tedious after a while, so that some groups might prefer to ignore or paraphrase them.

But these quibbles are, indeed, minor. Any experienced GM can sort them out with a minimum of fuss if they look likely to raise a problem in his game. Slightly more of a problem is the one bit of rail-roading, which occurs right at the beginning. Essentially, one of the PCs makes a decision that kicks off all the events in the scenario, and if he doesn't make that particular decision, you're screwed. Moreover, it has to be a PC who meets certain requirements; the scenario doesn't work if the "wrong" PC is the only one who takes the course of action in question.

Fortunately, the requirements aren't especially onerous, and I'd guess 95% of groups will have at least one PC who fits the bill... but how the other 5% are supposed to cope isn't at all clear. Given how far the rest of the scenario goes to account for varying PC actions, something more than the advice "you must ensure one of the PCs does X" would have been a very good thing here.

If the beginning of the scenario is a bit iffy, the ending is spectacular. It takes the form of a heroquest, with all of the good points of the Boat Planet scenario from Gathering Thunder, and none of the bad points. This time, the heroes really are the ones in charge, the ones that the legends will be written about - and, make no mistake, what they're doing is pretty legendary stuff, enmeshed with a key event in Gloranthan history. This really is "HeroQuest", not the HenchmanQuest of the Boat Planet. Yes, it's fairly linear, but then heroquests often are, and so long as the heroes get to come centre stage, that's fine by me.

All in all, I think it's a great scenario, one worthy of the Gloranthan canon. It's fun, exciting, and heroic, and most of the problems that might come up can be easily fixed by a competent GM.

The big let-down, unfortunately, is not the fault of the writers, but of HQ2: the scenario has essentially no stats. Not just no numbers, but no real stats at all, even in outline - opponents are described as "Very Hard to overcome", or whatever, and that's it. I'd hardly expect fully worked character sheets for the NPCs, because that would take up too much space, but I found that the absence of anything at all to get my teeth into detracted from something that should otherwise have been excellent. It feels empty and bland, only partially offset by the grandeur of the narrative scenery.

I can already hear some people moaning "but the stats never worked in HQ1". Perhaps not - although I remain unconvinced that there was no way of fixing that - but, for me at least, that's not the point. Perhaps I'm in a minority, but I very much having prefer stats that are "wrong" to having no stats at all. Bad stats I can adjust; missing stats require a lot more work than that.

But, as I say, that's not a fault of the scenario per se. It is written for the system as it is, not as I'd like it to be. With that caveat, it's one of the better HQ scenarios to be published. Even if I think it would have been better in a book of its own.

Kingdom of Heroes - Review pt 3

The cults in Kingdom of Heroes are written in much the same format as in previous Gloranthan books from Storm Tribe all the way back to Cults of Prax. However, much of the information is fresh, and, of course, the new magic rules put a different slant on things. It is here that the re-focusing on the runes is perhaps at its most obvious; we always knew why Chalana Arroy, for example, had the runes of Life and Harmony, but here its quite specific what that means in concrete terms.

Thunder Rebels and Storm Tribe both focussed to a large extent on subcults; the various speciality forms of worship granting unusual magic. In a sense, one could argue that Destor, say, was the default Orlanth cult (at least for warriors), but it didn't truly feel like that - it was more as if one had to pick from a big list of options. Now, I never found that problem, and I quite liked the range of options that were provided, but restoring the subcults to optional niches (as they were back in the old RuneQuest days) is certainly a good deal simpler.

In fact, its not really accurate to say that the subcults of TR and ST have been done away with. A great many of them do survive, albeit somewhat downplayed in importance. Orlanth, for example, has eleven , including Hedkoranth, Destor, Helamakt, and so on. It would be relatively easy to add those that are "missing" (such as Yavor or Vanganth, for example), assuming you have access to the older sources.

There have, on the other hand, been some demotions. The powers of some of the old subcults are relegated to mere feats of the 'default' version of the deity, although, again, its fairly easy to build them back up if one is so inclined. Vinga the warrior-ess and Heler the rain god, both full deities in Storm Tribe, are here demoted to mere subcults of Orlanth. That isn't necessarily so bad, though, since Vinga was always supposed to be able to do anything Orlanth could do, so she might as well be merged in rules terms as well. Heler is perhaps a little more disappointing, but when you have space for only nine cults, its a perfectly reasonable one to leave out. (Incidentally, the others from ST who fail to make the grade are Odayla, who to my mind isn't as interesting as Yinkin, and Eurmal, who isn't very suitable for PCs anyway).

Having said that, cults are fairly central to play in the Dragon Pass setting, and, given the size of the book, I would have liked to have seen more. Expecting minor cults to get the full 5+ pages devoted to each those that made it in might, perhaps be a bit much... but one or two pages each would have sufficed to at least give us the basics. As it is, this is an area where having Storm Tribe available is going to be helpful - at least until a companion volume comes out with the lesser cults properly described.

The one cult in KoH that I felt unhappy with was Humakt, god of death. There seems to have been a general move since RuneQuest days to make the Humakti embody death to such an extent that they cease (at least from my perspective) to be truly interesting or really playable. Storm Tribe, while subscribing to this view, at least seemed to recognise what a big problem it could create in game. The "re-sheathing" ceremony mentioned in that book was a decent stab at keeping Humakti playable, and was, as a result, to my mind one of the most crucial points about the cult in that book.

Sadly, KoH seems to ignore that altogether. Technically, it doesn't contradict it, but that's not much of an excuse, when the reader will be clearly left with the impression that all Humakti - and not just, say, the Devotees - are somehow the "living death". It's a disappointing omission, and, perhaps, quite a surprising one.

While I'm on the subject, the section on Humakti gifts and geases feels weak and woolly by comparison with all previous versions - some more specific examples would have been very helpful here.

Still, other than Humakt, the cults are good. And they're by no means the end of the cool material in the book. There is a lot of good advice on heroquesting, expanding and improving on that in earlier books. Heortling culture is well described, bringing them as a people to life, helped by the high quality illustrations throughout. Dragon Pass itself is described, with the aid of several glossy full colour maps.

These maps in particular, are a part of the reason why I say that the book is worth the price. How often do you see full colour maps in RPG products that aren't produced by giants like Hasbro/WotC? And these are nice looking maps at that, and detailed enough to be really helpful in play. There are even black & white plans of the cities of Sartar, something that has generally been lacking in previous publications. There's also a detailed description of the Colymar tribe, complete with its own colour map.

The book has information about the Lunars, and about the various other cultures that neighbour the Heortling barbarians. Rightly, the focus is on the Heortlings themselves, rather than describing the Lunar Army in detail, or describing the cults of the Grazelanders. But even so, there is enough information here to play them as foes.

All in all, the sheer density of information in the book may seem a little overwhelming to a newcomer, but it rewards the effort with a wonderfully fleshed-out look at a culture different from that in so many other RPGs, and very much retaining the "feel" that Glorantha has had for so long. Yes, I have reservations about the book. It isn't perfect, but then what is? But that doesn't mean that it isn't one of the best Gloranthan products to have come our way in a long time.

If Moon Design can keep this up at a regular schedule - and we know there are more books in the pipeline - then its going to be a very good few years for Gloranthan fandom.

Kingdom of Heroes - Review pt 2

Every time there is a new magic system released for Glorantha, we are always told that "this time it's the way we always wanted it to be", and "this time it really reflects Greg's stories." The magic systems in both HW and HQ1 were promoted with those sorts of phrases, and HQ2 is, of course, no different. I'm past caring whether or not they're true in any meaningful way; I just want to know whether or not the system is any good.

And, on the whole, the system presented in KoH is good.

Of course, there wasn't really much wrong with the theist magic system in HQ1 - although the same couldn't really be said for animism or wizardry. But nonetheless, the writers of KoH have managed to improve on it, and that can only be a good thing.

It's worth pointing out again that KoH is, rightly, a book about the Heortling barbarians of Sartar, dominated as they are by the magic of Air and Earth. So the book has essentially nothing to say about how magic works elsewhere in the world. The primer in the HQ2 core rulebook gave a sufficient outline of that, and it will hopefully be developed more as time goes by. But this is the book for the Heortlings, and its only their magic we see here.

The core of the new Heortling magic system then, is the runes. These are the same old familiar runes of RuneQuest, with Elements, Powers, Forms, and Conditions. We have always been told that the runes were the basis of all magic, but it is only with this new system that that is really shown to be the case. Every character starts off with three runes, one Element, one Power, and one other, which can be anything except another Element or a Power directly opposed to the one you already have. (So, no having both Life and Death, for instance).

Characters with no cult use their runes to augment everyday tasks; they don't create specific "spells". So, if you are strong in, say, the Death rune, you will be able to use it to boost your combat prowess - a sort of Bladesharp, if you will. Here, I would have liked to see more description of what the runes generally let you boost, and a broader discussion of what each of them means. Instead, the descriptions are short, and often of little use, although they do have associated personality traits. Perhaps it was felt that the names were indicative enough, but I feel a broader discussion would have been very helpful.

I'm also not overly enthused by the idea that PCs should be penalised if they fail to act according to the personality traits written for their rune. True, the book suggests that the GM should not use this punitively, but only if it works well with the story. Nonetheless, it feels a little overly prescriptive to me, and I suspect I won't use that part.

Most characters, however, will probably want to initiate to a cult, worshipping a specific god from the Heortling pantheon. To do this, you need at least one rune in common with your god (it's generally specified which one it has to be), and it makes sense to match all of them if you want your character to be magically powerful. A character who belongs to a cult gets to use his rune actively, to cast what would be called "spells" in most other RPG systems. Each god has one "affinity" for each of his one to three runes, which act as keywords allowing the PC to use magic directly related to that aspect of the god. So a Humakti, for instance, can use his Truth rune to cast magic related to honour and oaths.

In HQ1, similar affinities existed, and they were always labelled with an appropriate rune. However, the choice of rune often made little sense - since it had no game mechanical effect, it was merely for decoration anyway. For instance, out of all the many sub-cults of Ernalda in Thunder Rebels, only one had an affinity directly linked to the Earth rune. Similarly, many cults in HQ1 had idiosyncratic runes, creating a plethora of symbols that obscured the underlying simplicity of the system - Under the Red Moon was particularly notable for this.

But, in KoH, the original, simple, list of basic runes takes centre stage. Ernalda has Earth magic, because she is the Earth Mother; Lhankor Mhy, god of knowledge, has Truth magic, and so on. This is both easier to grasp and more atmospheric than the old system, and its a significant step forward.

It does, on the other hand, lead to some problems when the affinities are overly broad. If Orlanth can do anything possible with the Air rune, its difficult to see what the point of any other Air cult might be. As far as I can tell from the rules, a priestess of Ernalda should be just as good at creating earthquakes as a priestess of Maran Gor, the goddess of earthquakes, which sounds a bit odd. Of course, if they were competing against each other, you would give the latter a bonus for the more specific ability, but that seems to be rather side-stepping the issue. Fortunately, the cults provided in the book don't overlap very much, so it's less of a problem than it might appear at first glance.

Another issue in HQ1 was that almost everyone chose to be a devotee, a level of ability that got you more potent magic, but that was supposed to be really rare in the game setting (although, to be honest, this was never very clearly expressed). In KoH, the new "initiates" are essentially the equivalent of the old "devotees" in terms of magical power, removing the temptation to do this.

What KoH calls "devotees" are actually closer to the HQ1/Storm Tribe "disciples" - indeed, they seem to have the same in-world titles. Devotees get specific "feats" which are more focused, and hence more powerful, magic than the broad affinities. In return, they face considerable limitations on their freedom of action, making them less attractive as PCs, unless you really want to play a powerful specialist. Which is, to my mind, as it should be. It is also no longer possible to start play as a devotee; it's a status to be achieved through play, as disciple was in HQ1. A slight niggle is that some of the feat descriptions are a long on flowery text and short on what it is they are actually supposed to do. You're probably meant to work this out in play, but some more guidance would have been nice.

In part 3, I'll take a look at the cults themselves. It's a big book - it needs a long review...

Kingdom of Heroes - Review pt 1

And so, the wait is over, and Kingdom of Heroes has been released. If you're reading this blog, there's a good chance you already know what that is, but, to summarise, it's the new HeroQuest sourcebook for the Kingdom of Sartar, a magical barbarian land dominated by the powers of Air and Earth. It is set in the world of Glorantha, where everyone can do magic, and there is a distinct bronze age vibe that makes it different from most other fantasy settings on the market.

On the other hand, if, by some chance, you are actually more interested in my occasional musings on secularism and scepticism, then I’ll take the opportunity to promote the recently released Tim Minchin single “White Wine in the Sun”. This is a beautiful Christmas song about the values that are more important to many of us at this time of year than something that may, or may not, have happened in a stable 2,000 years ago. Buy the MP3 online from a legal download site for just 79p, and maybe it’ll get into the Christmas charts. It’d be a nice thought.

Right, back onto gaming. Chances are that the first thing that will strike you about KoH is “blimey, is that the price?” And, yes, by RPing standards, it’s pretty darn expensive - although, if you’re willing to go PDF-only you can get it for much less than many D&D books by buying it online at sites like DriveThru RPG. The obvious question then, is whether the book is worth the price. I’d say that, if you’re already a fan of Glorantha, then yes, it is. (Of course, if your actual question parses as “is it worth my wife making me sleep on the couch for a month because I spent so much on an RP book?”, then you’re on your own).

The reason I say this is partly the sheer size of the book; at a whopping 378 pages, it’s the equivalent of a number of normal RP supplements stuffed into one cover. And, even for the size, there’s a lot of text. The artwork is great (although some of it isn’t new), and there are even full colour maps inside, which you don’t see very often outside of the really big publishers. Certainly, when you compare it with just about anything previously published by Issaries/Moon Design, the physical quality is in an entirely new league.

On the other hand, if you’re not already a fan, I can’t really deny that it has quite a steep entry price. Furthermore, one of the criticisms often levelled at Glorantha is that it’s too complicated, and there’s just too much to know to get into the setting. Dumping a book of this size down in front of someone is unlikely to dissuade them from that opinion! So, I’d have to say that this feels much more like a book for the fans than one for newcomers. The fact that the book has the name "Sartar" in huge letters on the cover, when nobody but a fan will have a clue what that means, supports the idea that this was what the publishers were aiming at; by comparison the more evocative "Kingdom of Heroes" title is in much smaller print.

But, hey, if you are a fan, or better yet, if you are a newcomer and want to try it anyway, then read on…

Perhaps the second question that might strike a potential purchaser is whether we really need this book. If you’re a fan of Glorantha, chances are that you already have the previous Sartar book, Thunder Rebels , not to mention later supplements covering the setting such as Land of Thunder and Storm Tribe. TR was a pretty damn good book, so do we really need a new book on more or less the same subject?

Here, the issue is a little more complex. It’s perfectly possible to run a game set in Sartar with what’s already been published, so “need” is perhaps too strong a word. On the other hand, there is plenty of new material in here, and a number of things that improve on Thunder Rebels. But, then again, there are some other respects in which, in my opinion, Thunder Rebels did a better job than KoH. In fact, for reasons I’ll get into shortly, I’d say that owning Thunder Rebels will make it easier to get more out of this book – they complement each other, rather than the new book replacing the old one.

The first part of the book concerns character generation. Here, the system is essentially the standard one from HeroQuest, although the original religious keyword has now been replaced by a choice of three runic affinities, which are described later on in the book. Aside from this, there is a cultural keyword that applies to all Sartarites, and then a choice of occupational keywords.

A positive step here was to return to the culture-specific occupational keywords of Thunder Rebels, rather than the generic occupations of HQ1. This makes sense for a book about a specific culture, and removes some of the bland generalisations made necessary in HQ1. It also allows a greater range of occupations than official HQ1 publications had, with, for example, distinctions between common mercenaries and elite weaponthanes.

Regrettably, though, this is one area where KoH falls short of the high standards set by Thunder Rebels.

If you have read my review of HeroQuest 2, you may recall that I praised the preservation of the old method of describing keywords alongside the newer alternatives. Here, HQ2 is allowing flexibility for the needs of the GM and players. Unfortunately, it’s wise advice that KoH chooses to ignore. In this book, there are only “umbrella” keywords, and no indication of how to create the “package” sort. Indeed, there isn’t even any acknowledgement that this might be a problem!

Essentially, all you get in your keyword descriptions is some text, with no clear guidance on what specific abilities they might include. For many people, that might not be an issue, but some might struggle to remember exactly what being, say, a skald, is supposed to imply in terms of abilities. Since many of the abilities that might be included under a keyword aren’t at all obvious (for example, that “entertainer” includes knife-fighting), I myself would certainly want to write down the individual abilities on a character sheet - even if I had to indent them and write ‘+0’ instead of a number.

The writers do their best to get round this limitation in the text descriptions, and largely succeed when it comes to the magic, but they do tend to fall down when it comes to the occupations. Sure, it’s possible to deduce what most of the abilities are going to be from the prose, but a list would have been much simpler to use. Fortunately, anyone who owns Thunder Rebels can use the keywords in there if, like me, they find them more helpful.

Of course, for many people, umbrella keywords will be an improvement over the way they were described in previous books – they might, for example, find it less limiting. But it’s a pity that KoH failed to acknowledge that not everyone might be the same when that variety is specifically catered for in the rulebook itself.

After character generation we come to the clan generation system. A previous version of this was published in Barbarian Adventures way back when, but this one has been retouched since then. For those unfamiliar with the concept, this is a system for generating the history of the particular barbarian clan that your PCs come from. It guides the players through a series of questions about what their ancestors did at a particular time, steadily building up details of their clan as they do so, and providing a quick and entertaining course in the history at the same time.

When I’ve done this before, with people mostly new to Glorantha, it proved popular, and it can be something of a fun game in its own right. The decisions you make all have some sort of effect on the final clan, and the starting resources available to the characters. For example, is the clan warlike, wealthy, open to new ideas, etc.? The system for working this out has been somewhat streamlined since the previous version, although there are still times when the GM will probably want to give the players some idea of what the outcomes of their decisions might be in advance. And this time, there is a nice-looking clan sheet to go with it, which you can fill in when you’ve finished.

In part 2, we'll turn to the magic system, which represents perhaps the biggest change from earlier versions.